Landscape Painting in Pastels: Learning Tools

Online Videos

F+W Media, publishers of The Artist's Magazine, Watercolor Artist, and The Pastel Journal, (for which I often write) and owners of WetCanvas (where I spend a lot of time,) asked me to make two videos that are available online. You can find detailed information at Artist's Network.

Get Started in Pastels: Deborah Secor Paints the Landscape

If you've ever wanted to be able to attend an introductory class, this hour-long video should answer a lot of your questions. I discuss pastels and paper, along with some of the tools I use, and demonstrate haw to tone the paper, do a detailed underdrawing in charcoal and lay down one layer of color on the painting 'Mountain Morning'. (Please note that the painting demonstration is not completed in this video. It's only meant to introduce you to the process. In the shadow video, below, I show the process of detailing the finish of a painting.)

Painting Shadows in the Landscape with Deborah Secor

In this hour you'll see me start from a prepared underdrawing of the painting 'Pyracantha', and develop the soft and sharp shadows demonstrating how to layer colors softly without too much finger blending and achieve a detailed finish.

PanPastel Video

A 30-minute video showing you the development of this sunset from sketch to finished painting using PanPastels on PastelMat paper. A different approach to painting in pastel.

This one is entirely free. Enjoy!

Online Pastel Demo: Painting a Sunset

A step-by-step, photo illustrated demonstration painting on La Carte Pastel Card, beginning with the layout sketch and taking the painting to completion, with close up shots and written information. (Page about half way down to begin.)

Also visit:

PAINTINGS FOR A SONG (PASTELS)

GOUACHE BLOG
WEB PAGE

A GIFT

I contemplated selling this book, but in the final analysis I decided that it was better to give. Jesus tells us, "Freely you have received, freely give." So I will. I hope you enjoy and benefit from it.

I'm a Christian, a Jesus follower. He gave His life away for the greatest reason possible: so everyone could understand that we can have eternal life. As a follower, I give my life away freely, too, though not like He did (since I'm obviously not God.) My firm belief is that...God showed his great love for us by sending Christ to die for us while we were still sinners....For the wages of sin is death, but the free gift of God is eternal life through Christ Jesus our Lord.

A disciple becomes like the one she follows, and one day I realized that about the neatest way I could give my 'life' away was to give this book away to anyone who wanted to read it! But I couldn't afford to print it and send it out, so doing it online was the best way--on a blog it could be freely given. Jesus said, "Wherever your treasure is, there the desires of your heart will also be." Heart follows treasure... My treasure is Jesus!

With my blessings,
~Deborah

Maybe you know that God loves you, but you also realize that you’ve done things that are wrong—you’ve sinned. That sin separates you from God. Out of His great love He sent His only Son, Jesus Christ, to die as the sacrifice to pay for your sins. His resurrection is the ultimate evidence of eternal life. When you recognize your need and want to begin to live as a new creation, you can ask Jesus to be your Savior and Lord in prayer. There's no hocus-pocus here, just the reality of faith and new life in Christ. That is the real gift here!

MAKING COPIES

This book is not available in traditional print form. It is now available in PDF format, which should make it easy for you to print ONE copy for your personal use.

You may also use one of the eBook platforms (such as www.bloxp.com) to make a one-off eBook, which may be downloaded in any electronic format you wish for your own personal use.

Please don't copy and post it online anywhere without my express, written permission. (debsecor (at sign) gmail (dot) come) Instead, please use a link to the chapter you want to share. Thanks so much for understanding.

ACKNOWLEDGEMENTS

I would like to thank Maggie Price for her help in conceiving and executing this as a workbook beginning back in 1993, and for encouraging and fostering my writing ability. I learned tremendous amounts writing under your guidance for the first five years of The Pastel Journal’s existence, and I’m so grateful for the opportunity you first gave me to begin writing professionally.

F+W Publications originally published several of these chapters as articles featured in The Pastel Journal, although many of them have since been further edited as I’ve discovered more about the subjects. I especially want to thank editors Maureen Bloomfield and Anne Hevener, each of whom has helped me along the way, as well as the entire staff of editors that have consistently corrected and improved on what I've written.

Many thanks to Philip Van Hulle for editing these pages. I’ve learned over the years that a good editor works hard to make the author look better than she is.

The people who have passed through my classrooms for over 20 years have acted as the catalyst for this book, constantly seeking to understand more, consistently asking excellent and engaging questions that required me to find the bottom line, and providing the enjoyment of watching them journey along the pastel pathway. I meant it every time I said, “It’s looking good. Keep going!”

A special thanks to my Thursday art gang who have kept coming back for many years of fun, work and growth. Some have come and gone, but you all know who you are. It’s a privilege to teach such a talented group. I couldn’t do it without you. You always make ME look good!

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Learning Tools

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